When we went into the gesture drawings again on Friday, I was so lost. It was horrible. I had the most boring, straight on angle ever. No foreshortened view of anything. So I "finished" it until Amy called my name to look over my manikin and ended up working on my muscles until the class was over after that. Amy introduced our final project: Self Portrait. We have to draw ourselves while looking at ourselves in the mirror. and I'm actually really excited to draw myself! I mean, I look in the mirror all the time, and I know what my face looks like. It's going to be fun to explore my facial features in a total different way.
Monday, May 9, 2011
May 8, 2011
Sunday, May 8, 2011
May 1, 2011
We only had class on Wednesday and Friday. It was kind of a bummer to sit in class and draw because the weather was so nice this week! I got distracted every time i looked up. And this is why:

We moved on to face from drawing the body parts. Jessica was my partner and these drawings are of her. We worked on the nose and eyes on Wednesday. Amy told us to seperate the bottom plane form the top plane. Nothing is a flat shape, they all have different spotting space. She also told us to break up the lines. always. I thought nose would be easier to draw with all of the instructions she gave us, but it was hard. Maybe it was because I was trying to use the whole page rather than drawing small multiple noses on one page. Jessica's nose looked distorted. On a brighter note, her eyes were super easy to draw. I've always enjoyed drawing eyes, but after having Amy go through the steps of drawing them, it became a lot easier than before. I tried to emphasize on how there are three planes on our upper eyelid, two planes on our lower lid.
Ear was the most difficult one to draw. all the contour lines, where they lay back to back were so hard to see..yet when Amy helps me see them I'm like, "That was easy," or "That makes sense." I think I just need to keep drawing them until I get used to those crazy changing contour lines.

Drawing lips was always hard because lips are part of the skin, as in there isn't really a fine line between skin and lips. It was fun to play with where the contour lines take place with the lips, especially the bottom one going into the chin muscle. such gentle, subtle lines but very important to have in order to tell how the face is shaped. It's been an exciting, learning week for me. I feel a bit embarrassed for thinking that this week was going to be easy. Now that we really got to learn about the muscles and the importance of contour lines, I'm not going to be able to get away with my "old" drawing skills.

We moved on to face from drawing the body parts. Jessica was my partner and these drawings are of her. We worked on the nose and eyes on Wednesday. Amy told us to seperate the bottom plane form the top plane. Nothing is a flat shape, they all have different spotting space. She also told us to break up the lines. always. I thought nose would be easier to draw with all of the instructions she gave us, but it was hard. Maybe it was because I was trying to use the whole page rather than drawing small multiple noses on one page. Jessica's nose looked distorted. On a brighter note, her eyes were super easy to draw. I've always enjoyed drawing eyes, but after having Amy go through the steps of drawing them, it became a lot easier than before. I tried to emphasize on how there are three planes on our upper eyelid, two planes on our lower lid. Ear was the most difficult one to draw. all the contour lines, where they lay back to back were so hard to see..yet when Amy helps me see them I'm like, "That was easy," or "That makes sense." I think I just need to keep drawing them until I get used to those crazy changing contour lines.

Wednesday, May 4, 2011
April 24, 2011
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| profile view of a skull |
It was interesting to learn that our face part is only 1/3 of the skull. It was really weird at first to draw the skull. I can't decide if I like it or not because I always seem to draw the cranium a lot smaller than is. Amy had to fix it for me every time she walked by. I have only drawn the profile view so I am scared to start on the other views. I feel that the frontal view is going to be very difficult to draw especially the contour lines. I've had so much trouble with them, because it's so hard for me to see which way the contour lines go (inward or outward). I'm not really excited to start on them, but hopefully after drawing both the frontal and 3/4 of the frontal view, I'll be able to tell the direction of the contour lines better.
Monday, April 25, 2011
April 17, 2011
I've been working on this post since the 17th, I swear. It was just in my editing folder until now.
We have finally started working on our hands! exciting! I am not exactly sure of why, but I have this huge obsession with hands. Whenever it comes down to drawing what I want, I've always included hands in my work. But weirdly enough, I've never drawn skeleton hands. We had to draw one of a skeleton and another of a real hand. Well, on Monday, we focused mostly on the arms and tried to draw the muscles in by just looking at our model, Annie. Here's a picture of a long-drawing from Monday.
It's REALLY hard for me to see the muscles underneath, so I got some help from Amy this time. I realized that the manikins we've been working on can be a huge help to see the muscles, and I plan to study them and kind of memorize where they lie and overlap so I can picture that when I have to draw from just looking at Annie.
Back to the hands. I started with the skeleton one and it helped a lot as to how to draw the real hand. It was pretty much just adding muscles and skin to the skeleton hand. We had the weekend to draw these hands but I finished them during our class period due to my weekend trip. I'm pretty happy with my drawings. I think most of the drawings I finished in class are pretty good proportionately, but still so much to work on and fix.

We have finally started working on our hands! exciting! I am not exactly sure of why, but I have this huge obsession with hands. Whenever it comes down to drawing what I want, I've always included hands in my work. But weirdly enough, I've never drawn skeleton hands. We had to draw one of a skeleton and another of a real hand. Well, on Monday, we focused mostly on the arms and tried to draw the muscles in by just looking at our model, Annie. Here's a picture of a long-drawing from Monday.
It's REALLY hard for me to see the muscles underneath, so I got some help from Amy this time. I realized that the manikins we've been working on can be a huge help to see the muscles, and I plan to study them and kind of memorize where they lie and overlap so I can picture that when I have to draw from just looking at Annie.
Back to the hands. I started with the skeleton one and it helped a lot as to how to draw the real hand. It was pretty much just adding muscles and skin to the skeleton hand. We had the weekend to draw these hands but I finished them during our class period due to my weekend trip. I'm pretty happy with my drawings. I think most of the drawings I finished in class are pretty good proportionately, but still so much to work on and fix.

Sunday, April 24, 2011
April 10, 2011
| 50 minute drawing |
And here's a poem that I found, thought some people might enjoy it.
A Thought Suggested By The New Year
by Thomas Campbell (1837)
The more we live, more brief appear
Our life's succeeding stages:
A day to childhood seems like a year,
And years like passing ages.
The gladsome current of our youth,
Ere passions yet disorders,
Steals, lingering like a river smooth,
Along its grassy borders.
But as the care-worn cheek grows wan,
And sorrow's shafts fly thicker,
Ye stars, that measure life to man,
Why seem your courses quicker?
When joys have lost their bloom and breath,
And life itself is vapid,
Why, as we reach the Falls of death,
Feel we its tide more rapid?
It may be strange-yet who would change
Time's course to slower speeding;
When one by one our friends have gone,
And left our bosoms bleeding?
Heaven gives our years of fading strength
Indemnifying fleetness;
And those of youth, a seeming length,
Proportioned to their sweetness.
Sunday, April 10, 2011
April 3, 2011
| long drawing: I really enjoyed drawing from this angle. I love how her egg and pelvis looks very well defined from this angle. |
Different environments and different people surround us all the time. Sensory adaptation diminishes our sensitivity and helps us adapt to the new environment. Sensory adaptation is our diminished sensitivity to constant or routine odors, sounds, and touches. It focuses our attention on informative changes in our environment. We experience many different sensory adaptations every day. For example, our eyes adapting to changes in light, our bodies adapting to changes in air temperature or water temperature, and our ears adapting to changes in loudness of noise. It was very interesting to learn that our eyes are always moving, whether we notice them moving or not. They flit from one spot to another enough to guarantee that stimulation on the eyes’ receptors continually changes. Our sensitivity to changing stimulation helps explaining us being able to adapt to different situations so quickly, that we don’t even notice the changes. This kind of goes with how I've been feeling about Life Drawing. As we went more and more into drawing in different muscles each day, I learned to draw them more quickly and accurately each day, adapting to drawing in different, detailed muscles at different limited times. This week has been a really short week for me. It went by so quickly, especially with no class on Friday. We've worked on our arm muscles on our manikins and tried to draw them in in our 30 sec drawings to 50 min drawings. It didn't take me that long to familiarize myself to draw the full figure with extra detail in the arms. BUT It was very difficult to follow the book when putting the clay muscles on the manikins (Amy had to fix most of the muscles for me haha), but I enjoyed it, mostly just because I'm familiar with the arm muscles more than any other muscles in our body. I apologize for not posting this 'last week's post' so late..I'll try to keep up from now on.
Tuesday, March 29, 2011
:)
FULL FIGURE! FINALLY! I've enjoyed every minute, second of our drawing time in life drawing. It's been going by ridiculously fast. I never thought I would enjoy drawing figures this much! We started drawing the full figure starting with the 30 second ones. My first thoughts were, "We only have 30 sec to draw the whole figure?" but when she demonstrated in front of us, I kind of got what we were supposed to do. I love when she draws for us, it's so much easier for me to draw after seeing her draw. the way she stands/sits, the way she holds the vine charcoal, the way she moves her whole body when she draws... so much to learn! I was telling one of the girls from our class about just how much I've enjoyed drawing the whole figure, finally! and she told me that she didn't enjoy it very much and that she liked drawing parts of the body better. It was interesting to see that other people enjoy drawing the complete opposite things than me. The muscles we've been working with this week's been fun, too. Since we're working on the muscles that are actually (somewhat) visible, it's a lot easier for me to put them on my model. Anyway, with the whole snow day thing on Wednesday, it's been a pretty slow, relaxing week. I don't think it should have been.... but! at least my mind got to rest a bit. This week is going to be crazy busy. I already have midterms coming up! and I want to submit some work to the Best of Design Show.. crossing my fingers I would get the application done and that some of my work will get accepted! :P
Here are some pictures of my work this week! I hope everyone has a good rest of the week :)

Here are some pictures of my work this week! I hope everyone has a good rest of the week :)
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